ژانرها کمدی

Gérard, CEO of the factory "La voix du peuple", decides to close his factory by dismissing all his staff, starting with Jean Barbier, the chief of staff, and Phil Dechambre.

After two Chicago musicians, Joe and Jerry, witness the the St. Valentine's Day massacre, they want to get out of town and get away from the gangster responsible, Spats Colombo. They're desperate to get a gig out of town but the only job they know of is in an all-girl band heading to Florida. They show up at the train station as Josephine and Daphne, the replacement saxophone and bass players. They certainly enjoy being around the girls, especially Sugar Kane Kowalczyk who sings and plays the ukulele. Joe in particular sets out to woo her while Jerry/Daphne is wooed by a millionaire, Osgood Fielding III. Mayhem ensues as the two men try to keep their true identities hidden and Spats Colombo and his crew show up for a meeting with several other crime lords.

At Stanlio's urging, Ollio foists himself off as the dread singing bandit Fra Diavolo and unknowingly attempts to rob the notorious brigand himself. As punishment, Diavolo orders Stanlio to hang Ollio, but gives them a second chance when Stanlio bungles the job. Taking them on as his retainers, Diavolo travels to the Tavern de Cucu in his guise as the foppish Marquis de San Marco to rob the rich, aged Lord Rocburg and woo beauteous Lady Pamela. Stanlio drives Ollio and the innkeeper to distraction by playing "earsie kneesie nosie" and "finger wiggle," and gets drunk helping Ollio fill tankards of wine, sending him into an uncontrollable laughing fit. The boys plot to capture Diavolo but wind up with him in front of a firing squad.

Bepi is a gondolier and he wants to marry Nina. Bepi, however, likes exotic girls. So Nina, after a fight with Bepi, decides to marry Toni who is richer, who is liked by her family and who is the owner of a motor-boat. But when all the difficulties appear to be worked out and the marriage date is settled, a problem arises: Bepi is engaged at the same time to Nathalie, Janet and, of course, Nina. Will Bepi be able to wiggle out of his dangerous position, to marry the woman he really loves?

Who would have thought that only moments after arriving at Rome for their honeymoon, the young and pure bride, Wanda, would sneak out of the room, leaving her fastidious groom, Ivan, all alone? Obsessed with the masculine Fernando Rivoli--the hero of her favourite romantic photo-novel, The White Sheik--Wanda plucks up the courage to meet him in person, only to be seduced by the arrogant protagonist, so far away from the hotel and her husband. As a result--perplexed by Wanda's strange disappearance, and unable to disclose the news to his family--Ivan meanders through the ill-lit Roman streets in search of his wife, on pins and needles, waiting for their eleven o'clock appointment with his uncle and the Papal Audience at the Vatican. What does the new day have in store for the separated newlyweds?

A man falsely recognize two teenagers and one child in order to avoid jail. The man's life becomes more and more chaotic.

Two hapless waiters in a tavern on the Spanish Main play cupids between aristocratic Lady Jane and tavern co-worker Bruce Martindale, but the two bumpkins mix-up a love letter with Captain Kidd's treasure map of Skull Island. Kidd's treasure is claimed by Captain Anne Bonney, and she accompanies the notorious pirate to the island with the boys and Bruce, who have been shanghaied and the captured Lady Jane.

Gulliver washes ashore on Lilliput and attempts to prevent war between that tiny kingdom and its equally minuscule rival, Blefuscu, as well as smooth the way for the romance between the Princess and Prince of the opposing lands. In this he is alternately aided and hampered by the Lilliputian town crier and general fussbudget, Gabby. A life-threatening situation develops when the bumbling trio of Blefuscu spies, Sneak, Snoop, and Snitch, manage to steal Gulliver's pistol.

A virtually plotless, gaudy, impressionistic portrait of Rome through the eyes of one of its most famous citizens. blending autobiography (a reconstruction of Fellini's own arrival in Rome during the Mussolini years; a trip to a brothel and a music-hall) with scenes from present-day Roman life (a massive traffic jam on the autostrada; a raucous journey through Rome after dark; following an archaeological team through the site of the Rome subways; an unforgettable ecclesiastical fashion show)

Rome, 1959/60. Marcello Rubini (played by Marcello Mastroianni) is a writer and journalist, the worst kind of journalist - a tabloid journalist, or paparazzo. His job involves him trying to catch celebrities in compromising or embarrassing situations. He tends to get quite close to his subject, especially when they're beautiful women. Two such subjects are a local heiress, Maddalena (Anouk Aimee), and a Swedish superstar-actress, Sylvia (Anita Ekberg), both of whom he has affairs with. This is despite being engaged to Emma (Yvonne Furneaux), a rather clingy, insecure, nagging, melodramatic woman. Despite his extravagant, pleasure-filled lifestyle, he is wondering if maybe a simpler life wouldn't be better.