ژانرها کمدی

A stern Soviet woman sent to Paris to supervise the sale of jewels seized from Russian nobles finds herself attracted to a man who represents everything she is supposed to detest.

A lazy law school graduate adopts a kid to impress his girlfriend, but everything doesn't go as planned

In the small town of Concord, Massachusetts, during the Civil War, the March sisters—Meg, Jo, Amy, and Beth—live with their mother in a state of genteel poverty, their father having lost the family's fortune to an unscrupulous businessman several years earlier. While Mr. March serves in the Union Army, Mrs. March, affectionately referred to as "Marmee" by her daughters, holds the family together and teaches the girls the importance of giving to those less fortunate than themselves, especially during the upcoming Christmas season. Although the spoiled and vain Amy often bemoans the family's lack of material wealth and social status, Jo, an aspiring writer, keeps everyone entertained with her stories and plays, while the youngest March daughter, the shy and sensitive Beth, accompanies Jo's productions on an out-of-tune piano.

After a rich woman's ex-husband and a tabloid-type reporter turn up just before her planned remarriage, she begins to learn the truth about herself.

A love-struck weakling must pretend to be boxer in order to gain respect from the family of the girl he loves.

On his wedding day, Oliver and his best man Stanley become absorbed in a jigsaw puzzle. Eventually the taxi driver, the butler, a policeman and a messenger boy all get involved with the puzzle, making them late for the wedding.

A swimsuit fashion designer is determined to protect her scatterbrained sister from a South American heartbreaker, but a case of mistaken identity complicates matters.

Dead Men Don't Wear Plaid is a 1982 American neo-noir mystery comedy film directed, co-written by, and co-starring Carl Reiner and co-written by and starring Steve Martin. Co-starring Rachel Ward, the film is both a parody of and a homage to film noir and the pulp detective films of the 1940s. The title refers to Martin's character telling a story about a woman obsessed with plaid in a scene that was ultimately cut from the film.[

Oliver suffers a nervous breakdown as a result of working in a horn factory, but when he follows doctor's orders about sea air, he finds an ex-con is aboard.

After a messy house party while his wife is away, Oliver asks Stanley to help him clean up the place, but free help isn't always a bargain.